第89章完结（2/4）

刻画战勋：清朝帝国武功的文化建构第89章完结

s，T. J. Jackson. “The Concenpt of Cultural Hegemony：Problems and Possibilities.” The American Historial Reivew 90：3（1985.6）：567-593.

Leverenz，Niklas. “Drawings，Proofs and Prints from the Qianlong Emperor’s East Turkestan Copperplate Engravings.” Art Asiatiquess 68（2013）：39-60.

Leverenz，Niklas. “From Painting to Print：The Battle of Qurman from 1760.” Orientations 41：4（2010.5）：48-53.

Leverenz，Niklas. “On Three Different Sets of East Turkestan Paintings.” Orientations 42：8（2011.11/12）：96-103.

Leverenz，Niklas. “The Battle of Quarman：A Third Fragment of the 1760 Qianlong Imperial Painting.” Orientations 48：4（2015.5）：3-6.

Lin，Li-chiang. “The Creation and Transformation of Ancient Rulership in the Ming Dynasty（1368-1644）：A Look at the Dijian Tushuo（Illustrated Arguments in the Mirror of the Emperors）.” In Perceptions of Antiquity in Chinese Civilization，edited by Dieter Kuhn and Helga Stahl，321-359. Heidelberg：Edition Forum，2008.

Liscomb，Kathlyn. “Foregrounding the Symbiosis of Power：A Rhetorical Strategy in Some Chinese Commemorative Art.” Art History 25：2（2002.4）：135-161.

Liu，Heping. “Empress Liu’s Icon of Maitreya：Portraiture and Privacy at the Early Song Court.” Artibus Asia 63：2（2003）：129-190.

Liu，Shi-yee. “Union or Rivalry of East and West：Emperor Qianlong’s Deer Antler Scrolls.” Orientations 46：6（2015.9）：58-69.

Ma，Ya-chen. “War and Empire：Images of Battle during the Qianlong Reign.” In Qing Encounters：Artistic Exchanges between China and the West，Issues and Debates Series，eds. by Petra Chu and Din Ning，158-172. Los Angeles：Getty Research Institute，2015.