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刻画战勋:清朝帝国武功的文化建构第89章完结

Murck,Alfreda. “Accumulating Culture:The Collections of Emperor Huizong(review).” The Journal of Asian Studies 69:1(2010):210-212.

Murray,Julia. “What is ‘Chinese Narrative Illustration’?” The Art Bulletin 80:4(1998.12):602-615.

Naquin,Susan. “The Forbidden City Goes Abroad:Qing History and the Foreign Exhibitions of the Palace Museum,1974-2004.” T’oung Pao XC 4-5(2004):341-397.

Pelliot,Paul. “Les ‘Conquêtes de l'Empereur de la Chine’.” T’oung Pao 20:3/4(1920-21):183-274.

Ping,Foong. “Accumulating Culture:The Collections of Emperor Huizong(review).” Harvard Journal of Asiatic Studies 71:2(2011):409-421.

Plax,Julie Anne. “Seventeenth-Century French Images of Warfare.” In Artful Armies,Beautiful Battles;Art and Warefare in Early Modern Europe,ed. by Pia F. Cuneo,131-158. Leiden:Brill,2002.

Rawski,Evelyn S.. “Re-envisioning the Qing:The Significance of the Qing Period in Chinese History.” The Journal of Asian Studies 55:4(1996.11):829-850.

Ryor,Kathleen. “Wen and Wu in Elite Cultural Practices during the Late Ming.” In Military Culture in Imperial China,ed. by Nicola Di Cosmo,219-242. Cambridge,Massachusetts:Harvard University Press,2009.

Sickman,Lawrence and Kwan-shut Wong. “Chao Yü’s Pacification of the Barbarians South of Lü by a Sung Artist.” In Eight Dynasties of Chinese Painting:the Collections of the Nelson Gallery-Atkins Museum Kansas City,and the Cleveland Museum of Art,eds. by Wai-kam Ho et al.,37-41. Cleveland:Cleveland Museum of Art in cooperation with Indiana University Press,1980.

Sommer,Deborah. “The Art a

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