第89章完结（1/4）

刻画战勋：清朝帝国武功的文化建构第89章完结

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Hearn，Maxwell K. “Document and Portrait：The Southern Tour Paintings of Kangxi and Qianlong.” In Ju-hsi Chou and Claudia Brown eds.，Chinese Painting under the Qianlong Emperor：The Symposium Papers in Two Volumes，Phoebus 6：1（1988）：91-131.

Hearn，Maxwell K. “Painting and Calligraphy under the Mongols.” In The World of Khubilai Khan：Chinese Art in the Yuan Dynasty，edited by James C. Y. Watt et al.，pp. 211-213. New York：The Metropolitan Museum of Art，2010.

Ho，Ping-ti. “In Defense of Sinicization：A Rebuttal of Evelyn Rawski’s Reenvisioning the Qing.” The Journal of Asian Studies 57：1（1998.2）：123-155.

Hsu，Ginger. “Traveling to the Frontier：Hua Yan’s Camel in Snow.” In Lifestyle and Entertainment in Yangzhou，eds. by Lucie Olivorá and Vibeke Børdahl，347-375. Denmark：Nordic Institute of Asian Studies，2009.

Kleutghen，Kristina R.. “Chinese Occidenterie：The Diversity of ‘Western’ Objects in Eighteenth-Century China.” Eighteenth-Century Studies 47：2（2014.1）：117-135.

Kleutghen，Kristina R.. “Contemplating Eternity：An Illusionistic Portrait of the Qianlong Emperor’s Heir.” Orientations 42：4（2011.5）：73-79.

Kleutghen，Kristina R.. “One or Two，Repictured.” Archives of Asian Art 62（2012）：25-46.

Kleutghen，Kristina R.. “Staging Europe：Theatricality and Painting at the Chinese Imperial Court.” Studies in Eighteenth-Century Culture 42（2012）：81-102.

Laing，Ellen. “Suzhou Pian and Other Dubious Paintings in the Received Oeuvre of Qiu Ying.” Artibus Asiae 59：3/4（2000）：265-295.

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