第90章完结（1/3）

刻画战勋：清朝帝国武功的文化建构第90章完结

Sung，Houmei. “The Symbolic Language of Chinese Horse Painting.” National Palace Museum Bulletin 36：2（2002.7）：62-73，in Decoded Messages：The Symbolic Language of Chinese Animal Painting，171-206. New Haven：Yale University Press，2009.

Waley-Cohen，Joanna. “Militarization of Culture in Eighteenth-Century China.” In Military Culture in Imperial China，ed. by Nicola Di Cosmo，278-295. Cambridge：Harvard University Press，2009.

Waley-Cohen，Joanna. “The New Qing History.” Radical History Review 88（Winter 2004）：193-206.

Wang Cheng-hua，“A Global Perspective on Eighteenth-Century Chinese Art and Visual Culture.” Art Bulletin 96：4（2014.12）：379-394.

Wang Cheng-hua，“Prints in Sino-European Artistic Interactions of Early Modern Period，” in Rui Oliveira Lopes ed. Face to Face：The Transcendence of the Arts in China and Beyond-Historical Perspectives（Lisbon：CIEBA/FBAUL（Artistic Studies Research Centre / Faculty of Fine Arts，University of Lisbon），2014）：424-457.

Wellington，Robert. “The Cartographic Origins of Adam Frans van der Meulen’s Marly Cycle.” Print Quarterly 28：2（2011.6）：142-154.

Whiteman，Stephen Hart. “From Upper Camp to Mountain Estate：Recovering Historical Narratives in Qing Imperial Landscapes.” Studies in the History of Garden and Designed Landscapes：An International Quarterly 33：4（2013）：249-279.

Zhang，Hongxing. “Studies in Late Qng Battle Paintings.” Artibus Asiae 60：2（2000）：265-296.

Zhou，Xiuqin. “Emperor Taizong and His Six Horses.” Orientations 32：2（2001.2）：40-46.

四 学位论文

敖拉：《从〈旧满洲档〉到〈满文老档〉──1626年之前满蒙关系史料比较研究》，博士学位论文，内蒙古大学，2005。¨搜.餿′暁^税′罔^ +更¨歆?罪¨快?~微*趣￠晓!税*蛧′ _首,发+

蔡松颖：《皇太极