第88章完结（2/2）

刻画战勋：清朝帝国武功的文化建构第88章完结

978年，第302～311页。

Barnhart，Richard. “Dong Qichang and Western Learning：A Hypothesis in Honor of James Cahill.” Archives of Asian Art 50（1997/1998）：7-16.

Berinstein，Dorothy. “Hunts Processions，and Telescopes：A Painting of an Imperial Hunt by Lang Shining（Guiseppe Castiglione）.” RES 35（Spring 1999）：171-184.

Berliner，Nancy. “The Emperor Looks West.” The Magazine Antiques 171：3（2007.3）：88-95.

Bickford，Maggie. “Emperor Huizong and the Aesthetic of Agency.” Archives of Asian Art 53（2002/2003）：71-104.

Chia，Ning. “The Lifangyuan and the Inner Asian Rituals in the Early Qing.” Late Imperial China 14：1（1993.6）：60-92

Chou，Ju-his. “Painting Theory in Eighteenth-Century China.” In The Power of Culture：Studies of Chinese Cultural Histories，ed. by Willard Peterson，321-343. Hong Kong：The Chinese University Press，1994.

Fuchs，Walter. “Die Entwurfe Der Schlachtenbilder Der Kienlung-Und Taokuang-Zeit：Mit Reproduktion Der 10 Taokuang-Kupfer Und Der Vorlage Fur Die Annam-Stiche.” Monvmenta Serica华裔学志9（1944）：101-122.

Haks，Donald. “Military Painting in Flux. Flemish，French，Dutch and British Pictures Glorifying Kings，c. 1700.” Dutch Crossing 35：2（2011.7）：162-176.

Hay，Jonathan. “Ming Palace and Tomb in Early Qing Jiangning：Dynastic Memory and the Openness of History.” Late Imperial China 20：1（1999.6）：1-48.

Hay，Jonathan. “The Kangxi Emperor’s Brush-Traces：Calligraphy，Writing，and the Art of Imperial Authority.” In Body and Face in Chinese Visual Culture，edited by Wu Hung and Katherine Tsiang Mino，pp. 1-48. Cambridge，Mass.：Harvard University，2004.